Archive for September, 2007

Will the RED ONE Camera Eliminate the Use of Film?

Sunday, September 9th, 2007

For years, filmmakers have been anticipating the evolution of moving from film to digital. The reality has always been that 35mm and even Super 16mm film looks better on the big screen – bar none. The most recent HD cameras have made great inroads in that field with the 2K Sony/Panavision Genesis and Thompson Viper cameras. The films shot with these cameras (Superman Returns, Zodiac – respectively) did look great in the theaters, but these cameras are not cheap. I am not sure what a new Viper costs (I saw one on eBay for $48,000) and the Genesis is owned by Panavision – so you can only rent it.

No one will deny the cost savings that come from not using film. For most independent filmmakers that has always been the deciding factor in choosing video versus film. Now, the RED ONE camera promises to tilt that pendulum towards the digital world by leap-frogging over the top of the line industry standard digital protocols. And most importantly, its price: $17,500 for the basic camera (without accessories).

Is the RED ONE camera the one that will finally replace film? Let’s look at this one detail: It’s the only camera to reach a 4K resolution (see the Red One forum for a detailed explanation). Compare that to the aforementioned 2K Genesis and Viper cameras. The difference is four times the resolution (see chart below). It’s supposed to be the closest endeavor to reach the quality of 35mm film with convenience of pure digital.

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Indie Director Tom DiCillo’s ‘Delirious’ Blog

Tuesday, September 4th, 2007

Writer/Director, Tom DiCillo’s [IMDB info] new blog chronicles his journey through the creation and distribution of his latest film, Delirious. The film is a contemporary fable about a small time celebrity paparazzo, Les Gallantine (Steve Buscemi) who befriends a young homeless man, Toby Grace (Michael Pitt). Toby meets and falls in love with pop star K’Harma Leeds (Alison Lohman), causing jealousy and friction with Les. (check your local listings – it’s really worth seeing it in the big screen).

This is DiCillo’s first foray into the blogosphere but I feel if he continues with it beyond Delirious, it could be one of the essential reads for all aspirating filmmakers. In fact, I commented on his blog about that sentiment and Mr. DiCillo responded to my comment – “I will try to keep the blog going. It is helpful to me to put my thoughts and frustrations into something creative…”

I cannot summarize the passion and creativity of DiCillo’s blog posts (you need to check it out for yourselves), but I will highlight some of his shared insight into the filmmaking process of Delirious – and break it down into production categories:

Pre-Production

Screenplay – DiCillo’s idea for the script was motivated by the public’s addiction to celebrity and fame. He got the idea for the main character of the film after an encounter with a paparazzo in New York during the filming of The Real Blonde. The guy went into to the shot, trying to take a pic of Daryl Hannah – DiCillo almost strangled him. Years later, DiCillo ran into to this guy at a party; They hung out in NY and LA for 2 months and then he wrote the script.

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